Entertainment

Cage the Elephant Tops Multiple Rock Radio Charts With ‘Beaches in Tennessee’

The ascent of "Beaches in Tennessee" to the pinnacle of Billboard’s Alternative Airplay and Adult Alternative Airplay charts, dated September 19, marks a significant juncture in the career of the Kentucky-born rock outfit. As the track secures the No. 1 position on both formats, Cage the Elephant continues to cement its legacy as one of the most prolific acts in modern rock history. This achievement represents the band’s 14th chart-topper on Alternative Airplay and its eighth on Adult Alternative Airplay, underscoring a consistent ability to capture both mainstream and adult-leaning radio audiences simultaneously.

A Historic Run on the Alternative Airplay Chart

With the rise of "Beaches in Tennessee," Cage the Elephant has effectively moved into a three-way tie for the second-most No. 1 singles in the 38-year history of the Billboard Alternative Airplay chart. The band now shares this distinction with Linkin Park and Twenty One Pilots, each boasting 14 chart-topping entries. They sit just behind the Red Hot Chili Peppers, who maintain the record with 15 No. 1 singles.

This current success highlights a remarkable streak of consistency for the group. "Beaches in Tennessee" marks the third consecutive calendar year in which the band has secured a No. 1 hit on the Alternative Airplay chart, establishing a new personal best for sustained dominance. The trajectory began in 2024 with the success of "Neon Pill" and "Rainbow," continued into 2025 with the chart-topping "Metaverse," and has now culminated in this latest achievement.

Performance on Adult Alternative Airplay and Mainstream Rock

Beyond the Alternative Airplay format, the song’s performance on the Adult Alternative Airplay chart—a format often characterized by a more nuanced, radio-friendly sound profile—is equally notable. According to Luminate data, the track ascended to the top spot following a 1% increase in airplay. This success places the band in a tie for the seventh-most No. 1s in the 30-year history of that chart, an elite grouping that includes legendary acts like U2, Coldplay, and the Dave Matthews Band.

Simultaneously, "Beaches in Tennessee" continues to hold steady at its No. 14 peak on the Mainstream Rock Airplay chart. With a 2% gain in plays, the song represents the band’s strongest showing at this format since the 2019 release of "Ready to Let Go," which reached No. 12. This cross-format appeal indicates a rare versatility, allowing the band to maintain a presence across the full spectrum of rock radio, from the grittier, guitar-heavy mainstream stations to the more eclectic adult alternative landscape.

A New Chapter with Big Loud Rock

The success of "Beaches in Tennessee" serves as a landmark moment for Big Loud Rock, the alternative-focused imprint of the Nashville-based Big Loud Records. Following the band’s departure from their long-term partnership with RCA Records, this July marked their inaugural release under the new label. The impact was immediate, providing Big Loud Rock with its third No. 1 on the Alternative Airplay chart in 2026 alone—following previous successes by Edgehill and Dexter and the Moonrocks.

Furthermore, this achievement represents a historic first for the parent company, Big Loud Records, as it marks the label’s first-ever No. 1 single on the Adult Alternative Airplay chart. For a label historically rooted in country and Americana, this success signifies a successful diversification of their portfolio and confirms their growing influence in the rock and alternative sectors.

Lyrical Depth and Personal Context

Beyond the statistics, the song carries significant emotional weight for lead singer Matt Shultz. In public commentary following the signing and release of the single, Shultz offered a candid look into the creative process, revealing that the track serves as an allegorical reflection of his own mental health crisis.

Shultz recounted a period of intense personal struggle that resulted in a three-month hospitalization. Rather than shying away from this experience, the band chose to channel it into "Beaches in Tennessee." Shultz noted that the song is a fictionalized, lighthearted account of a deeply serious event, an approach he described as an exercise in reclaiming his narrative. By framing the song through a lens of gratitude and newfound perspective, Shultz expressed hope that the music might offer solace to listeners who have navigated their own periods of turbulence. He emphasized that the song is not merely a product of professional output, but a milestone in his own journey toward stability and a "new chapter" in his personal and professional life.

Broader Implications and Future Outlook

The industry implications of this chart performance are multi-faceted. First, the success validates the transition to Big Loud Rock, proving that the band’s creative momentum remains undiminished by label changes. Second, it reaffirms the enduring relevance of traditional airplay in a streaming-dominated era. While many artists now prioritize algorithmic playlisting, Cage the Elephant’s sustained dominance at radio suggests that their brand of alternative rock continues to resonate with a broad, loyal demographic that engages with broadcast media.

The band’s upcoming seventh studio album, which will feature "Beaches in Tennessee," is one of the most anticipated projects in the current rock landscape. Although specific details regarding the title and release date remain undisclosed, the release of the recent track "Dying in Reverse" on September 10 suggests that the group is moving forward with a clear, focused creative vision.

As the band prepares for the "Dying in Reverse" European tour, which is scheduled to commence early next year, the current chart performance acts as a catalyst for renewed interest in their back catalog and future releases. By balancing the technical requirements of high-frequency radio airplay with the emotional resonance of their songwriting, Cage the Elephant has successfully avoided the pitfalls that often plague long-standing rock acts.

Conclusion

The trajectory of "Beaches in Tennessee" provides a comprehensive snapshot of a band that has mastered the art of evolution. From their early days as indie-rock outsiders to their current status as stalwarts of the alternative charts, Cage the Elephant has demonstrated an uncanny ability to grow alongside their audience.

As they sit just one No. 1 hit away from tying the all-time record on the Alternative Airplay chart, the industry will undoubtedly be watching to see if they can surpass the Red Hot Chili Peppers in the coming years. For now, the band occupies a unique space in the music industry—one where deep, personal storytelling is still capable of commanding the airwaves. Their success is a testament to the persistence of rock music as a vital, evolving genre, and a clear signal that the next chapter of their career is poised to be as impactful as the last.

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